"A rhizome as subterranean stem is absolutely different from roots and radicles. Bulbs and tubers are rhizomes. The rhizome includes the best and the worst: potato and couchgrass. A rhizome ceaselessly establishes connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles. A semiotic chain is like a tuber agglomerating very diverse acts, not only linguistic, but also perceptive, mimetic, gestural, and cognitive; there is no language in itself, nor are there any linguistic universals, only a throng of dialects, patois, slangs, and specialized languages." - Deleuze and Guattari, A Thousand Plateaus

28 Nisan 2014 Pazartesi

What Does It Mean To Be The Cripple of Inishmaan?


The Cripple of Inishmaan is a play by the well-acclaimed playwright, screen writer and film director Martin McDonagh who has both British and Irish citizenships. McDonagh’s plays often deal with the themes that reflect the conditions and realities under which the Irish people live in Ireland. 
            Set on the little Aran Islands in the Western Coast of Ireland, The Cripple of Inishmaan is the first play of The Aran Islands Trilogy. Like in The Lieutenant of Inishmore and The Bahshees of Inisheer, The Cripple of Inishmaan reflects the difficult circumstances that the Irish society encounters and the desire of Irish people to leave their country for a better future. The play takes its story from the real life filming of the documentary Man of Aran and diligently treats to the story of a boy named Billy Claven, called ‘Cripple Billy’ for the fact that his one arm and one leg are crippled. One can claim that there are three different meanings in the title of the play: The first one is that the title refers to the physical disability of the protagonist, secondly it reflects the bad (crippled) conditions of the people living on the Aran Islands, and thirdly it implies that the Aran Islands are the place that opens the doors to the world for the Irish people who want to leave the country and make their dreams come true under better circumstances.
            Firstly, the protagonist of the play, Billy Claven, is often called ‘Cripple’ Billy by the other characters and the title of the play is more likely designed to reflect this situation. In the first scene, when Billy returns to the shop from his favorite activity, “cowwatching”, and is asked why he watches the cows at the Darcy’s Fields, Johnny’s theatrical efforts to give the third piece of news are somewhat interrupted by the “talking of the cows with a fecking eej!” At this point, Johnny calls him “Cripple Billy” and we, as the readers of the text, understand that Billy’s sad condition is not something pitied by the other people around, bur rather a matter of mocking and humiliation. Billy’s answer to that epithet, “don’t call me Cripple Billy,” shows that he is not happy with that nickname although it is the sad but true reality as reflected in the words of Johnny: “isn’t your name Billy and aren’t you a cripple?” The title of the play is also assumed to be reflecting this reality of Billy. He is a cripple and he lives in Inishmaar. No matter how strong he tries to escape from it, it is a reality that he has to live with. Therefore, McDonagh may be directing the audience to this reality and forcing them face with the bitter conditions of the protagonist by reflecting them in the title of the play.
            Secondly, Martin McDonagh is known to be the intellectual voice that brings light upon the problems that the Irish people have been facing and therefore, the title of the play may be reflecting the bad conditions under which the people on the Aran Islands live. The word ‘cripple’ in the title can be interpreted as a metaphor that stands for the tough conditions –mostly economic- which makes the lives of the people on the Aran Islands very hard and unendurable. For example,  the dialogue between Kate, Eileen and Johnny in the first scene reveals that even a “bit of bacon” is a matter of discussion amongst the people on the Islands. In the end, Johnny comply with the offer; the “bloody peas.” For that reason, the word ‘cripple’ in the title refers to the people on the Islands in general. The Irish people are suffering from economic difficulties and they are unable to do something to change it, except for escaping from it. Martin McDonagh, as the intellectual voice that reveals such problems, invites audience to think about the hard conditions of the Irish people by resembling the conditions under which the Irish people live to the condition of a crippled person. 
            Thirdly, the story of the play suggests that the Aran Islands is now a place where the young people can have hope for their future. However, this hope is not about developing and bettering the conditions on the Islands, but escaping from it for a brighter future. In the play, as soon as Billy hears that a film crew is going to come to Inishmaar for shooting a documentary, he starts to think about it as a chance of escaping from the place where he is stuck. To the surprise of the other people in the town, Billy gets the chance to be a part of the documentary and uses it for the long-desired escape. Therefore, the word ‘cripple’ in the title can be understood with its other, far-fetched meaning: Pier. In this sense, one can claim that the title of the play refers to the film crew who are the pier of Inishmaar for the young people of the Island.
            To sum up, there are three different metaphorical meanings in the title of the play: One is the sad condition of Billy, second is the tough conditions on the Island, and the third is the film crew as a means of a pier, opening the doors for escaping from the Aran Islands. However, one way or another, Martin McDonagh shows us the lives of the Irish people on the Aran Island with a perfect atmosphere of the local colour and almost with the real-life characters. In the end, I’d like to state that reading The Cripple of Inishmaar was a door to the Irish culture and way of life rather than a simple amusement for me. I’ve found the play politically-engaged and bitter as the themes are hovering around the social-realist approaches of the play writing tradition.









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