There are only a few books that can reveal the condition of
being-in-the-world through the phenomenal power of language. Ali Smith’s How to Be Both is one of them.
In 1969, B. S. Johnson published The Unfortunates, a book that comes with
27 chapters in a box. The first and last chapters of the story are indicated in
the box, but you are free to read the remaining 25 chapters in any order you
like. In other words, you are free to write your own story out of those 25
chapters. Can you think of a more experimental and complex way of constructing
a narrative? If not, you haven’t yet met Ali Smith’s How to Be Both, a book that gives you the chance to decide on your
reading experience.
When you go to a bookshop - either a
real one surrounded with the magical smell of books or a vapid, online one - and
find How to Be Both on the shelf, it
is likely that you will actually see two different books starting with
different stories. This is because the book was simultaneously published in two
different versions and each version starts with a different story. You, as the
reader, have the chance to decide which one out of the two main stories you
want to read first. Your decision changes the reading experience completely. As
Ali Smith herself says, “there are two ways to read this novel, but you’re
stuck with it – you’ll end up reading one of them.” The irresistibly poetic
language of the book will take you to the last page all in one breath, where
you can’t help but wonder what it would be like to read the second story first.
The two parts of the book are set in
totally different times and places; one in contemporary Cambridge and the other
in Renaissance-era Ferrara, Italy. The contemporary story is told by George, a
teenage girl whose mother, an online activist, has recently passed away. George
struggles to resign herself to the death of her mother and constantly recalls
memories of her. Meanwhile she takes care of her younger brother, deals with
her alcoholic father, and experiences another loss as her friend ‘H’ from
school leaves the country. She becomes obsessed with and stalks her mother’s
unusual friend Lisa Goliard who claims to be an artist. However, thinking back,
George remembers that her mother suspected Lisa of monitoring her for the
security services. Don’t get the impression that George spends all of her time shadowing
people and watching experimental French movies from the 60’s; she also travels
to London to see the work of Francesco del Cossa, the moody and poetic narrator
of the other story.
Francesco
is himself seemingly both; a woman in men’s dress and sometimes, vice versa.
Standing in front of his portrait of St. Vincent Ferrer, he wanders through his
past in a lyrical stream of consciousness. Francesco storms at his ill-pay like
a bolt from the blue and gets lost in the depths of his mind, which makes his
story more difficult to follow compared to George’s. But there is something in
his story; something that pulls the reader into the dreamy world of the
Renaissance. When you catch a glimpse of this fantastic world, you are no
longer able to step back but let yourself experience his scrumptious narrative.
Francesco’s story is nonesuch amongst the British literary canon.
So the book has two parts, two main
characters, two perspectives, two socially-oppressed gender identities, two
sexual deviations, and two conditions of being-in-the-world. But don’t be deluded
by this duality. Ali Smith’s book is not about how to be both, it is about how
to be one. It is about the experience of being a human in the world through a
span of 600 years; being able to produce and consume, think and feel, and love
and lose. As for the bridge between the stories of George and Francesco, a
subjective experience of the world proves to be a perfect meeting point. There
is no gap between the past and present. There is only one chance for you to
live your own story.
Dazzling with its splendid narration, How to Be Both is a book that you can
devour at one sitting, but be impressed by throughout your entire life.
Recommended to all who wonder what it would be like to be someone else through
the power of literature. Ali Smith is a literary prodigy.
Hiç yorum yok:
Yorum Gönder